… to know which way the wind blows – Subterranean Homesick Blues, Bob Dylan, recorded on January 14, 1965.
According to english.stackexchange.com, the lyric was the inspiration for the name of the American radical left group the Weathermen, a breakaway from the Students for a Democratic Society. In a 2007 study of legal opinions and briefs that found Bob Dylan was quoted by judges and lawyer more than any other songwriter, “you don’t need a weatherman…” was distinguished as the line most often cited.
I mention this apropos of nothing other than I was at Traigh for their Open over the weekend and, as always, from the high points on the course, you don’t need a weatherman, you can see the weather coming for miles and there was plenty of it.
The view from the 3rd tee
The Clubhouse – the umbrella accurately indicates that the sun was only a passing fancy.
Not immediately apparent, but I am drenched
The view from the 2nd tee
Looking back to the 2nd tee – Traigh Open 2018 – the essence of Golf in the Wild
While I am going off at tangents, I will make this not particularly original observation – to fully appreciate any music you must hear it in the context of its own time. This track and everything else on Bringing It All Back Home was a shining beacon of originality which inevitably fades with time and the production of more than 50 years worth of subsequent music. Nevertheless, I can still remember the excitement felt by that introverted 14 year-old as this album first emerged from the single speaker of the family Dansette. All the words are still in my head.
… to Traigh. The yearly pilgrimage to Arisaig is nearly upon us – the Traigh Open, 28th July 2018. One of the most spectacular golf courses in the UK – the absolute epitome of Golf in the Wild.
I had thought publishing Golf in the Wild was the end of a long journey but it turns out it was just the beginning. The slow, arduous distribution and PR process has already introduced me to some very supportive people from out-of-the-way places. Last weekend the good men of Traigh (see chapter 7) visited Allendale and were as enthusiastic about our course as I am enthusiastic about theirs. David Shaw Stewart produced an impromptu watercolour of Allendale’s signature hole, the 17th – Grand Canyon, in celebration of a grand, if windy and cold day out. I am proud to be mentioned and wish I had the talent to reciprocate.
Golf in the Wild has led to some interesting connections both on and off the course. Yesterday (6th December) I spent an enjoyable round at Allendale in the company of the good men of Traigh who loved the wilds of Allendale golf course as much as I love the wilds of Traigh. It reminded me of one glorious Spring day spent researching the book at Traigh when at the ninth I caught up with this happy scene – three men and a dog putting out to finish their round.
This is how the chapter on Traigh ends:
My first holiday romance was at a farmhouse near St David’s in south Wales. I fell for the farmer’s daughter, she was about sixteen and I was barely four. I can still feel her soft hands on my shoulders. She was the first of the gender to make me realise that girls could be loving creatures, unlike my sister, too engrossed in her own older world and my mother, too much in charge. The night the holiday ended, back home, I was distraught, crying a river into Robin-starched sheets. Ever since I have had an overly-moist sentimental streak for people and places left behind. Traigh is such a place.
If asked to name my favourite course from the book I would probably have to say it is Traigh. My opinions may be different had I arrived on a soggy dreich day but on both occasions I have washed up on its shores the conditions have been perfect, none more so than on my first visit. This photograph of the but’n’ben style clubhouse was taken in the early morning as I hunted for somewhere to pay my green fees. The skies were a near-flawless clear blue except for the scars of long-spent vapour trails.